The Shape of Water

Grade: B+

Director Guillermo del Toro’s resume goes back to 1986, and includes Blade 2, Hellboy, Pan’s Labyrinth, Crimson Peak, and an episode of The Simpsons. Except for perhaps the latter, his complete filmography has gone unseen by me, until now. In his latest film, The Shape Of Water, the first thing that struck me was the wonderful score. Rife with lots of accordion, it infuses the movie with a French feel, akin to the quirkiness of Amelie and Moulin Rouge, but it is set in America in the 60s. The cinematography, prevalent with noirish colors, might be the best I’ve seen all year. The plot is part science fiction, but is also a VERY unique kind of love story. Del Toro gives us images that might normally shock, sicken, and disturb, and makes them beautiful. The one-sentence summary on IMDB gives away too much, in my opinion. Avoid it if you can. What I will tell you is it involves a strange aquatic creature.

All four leads give award-worthy performances – some of which have been recognized already. Vehemence is a word that comes to mind when I think of Michael Shannon. He brings a funny, twisted intensity to many of his roles. Like Hugh Grant or Jack Nicholson in their primes, I know I’ll get what the doctor ordered and more whenever he appears on the screen. The always reliable and sassy Octavia Spencer shines as well. Richard Jenkins is an actor you’ve probably seen before, but couldn’t name, or remember what you’ve seen him in. I hope the sweet, sincere, and endearing work he does here will put him on the map. And finally, in a central role, Sally Hawkins is captivating, and is able to say so much with her mute character.

The Shape Of Water is gorgeous to look at. Practically every shot is a work of art. The sound effects set a distinctive tone, the score is lovely and whimsical, and if you are ok with a little gore and grit and have an open mind, this will be an unforgettable cinematic journey. This is a movie that gets so many things right.

Grade: B+