Mark Schroeder’s Movie Reviews

The Fault in Our Stars

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Grade: B-

In the opening narration of The Fault in Our Stars (which will jerk more tears than any movie this summer, if not this year), we are promised that this will not be your typical sugarcoated teenager movie. It doesn’t completely deliver. Dark moments that could have been unflinchingly maximized are instead made “safe” by the use of slow-mo and saccharine music, most of the performances are very actory and surfaced (especially the performance from the boyfriend – one of the characters we should care about the most), and the post-love-scene nudity is your systematic and carefully choreographed PG-13 pose, where legs, feet, hands, and faces are at their most picturesque, and the key parts of their anatomy that participated in the deed are conveniently and just-barely covered up. A few character motivations are questionable [What teenagers would be allowed to have unlimited bottles of champagne at an unsupervised fancy dinner in a foreign country, followed by free reign alone in a hotel room?]. Most of the faces in this film were not familiar to me. 3 performances stood out: the always reliable Laura Dern and Willem Dafoe (although his actions toward the end flew in the face of all logic for his character, he presented himself convincingly throughout), and the young actress Shailene Woodley gave me a heroine I could really get behind. I can’t wait to see the career she has ahead of her. When all is said and done, TFIOS is effectively made, and I admit there is something here. I just think it should have gone deeper.

Grade: B-

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8 responses to “The Fault in Our Stars”

  1. […] has joined the list of names it took me a while to get right. Along with Silver Linings Playbook, The Fault in Our Stars, and Three Billboards Outside Ebbing, Missouri, we now have The Good House, which is hard to […]

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  2. […] from American Beauty? I had only previously seen Elgort as the terminally ill boyfriend from The Fault in Our Stars, and I found his performance there to be annoying, surfaced, and actor-y. He is much more effective […]

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  3. […] has a secret we eventually find out halfway through. It’s of the terminal variety. Think The Fault in Our Stars. She is an orphan who has bounced around foster homes all her life. She is about to go to Spain in […]

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  4. […] Woodley, who showed so much promise in The Fault in Our Stars, shines as Dano’s supportive wife – almost at the Lady Macbeth level. She has such an […]

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  5. […] Ferrari is in English, and the actors do their best with Italian accents. Most of them succeed. Director Michael Mann (Collateral, Ali, The Insider, Heat) is working from the 1991 biography Enzo Ferrari: The Man, the Cars, the Races, the Machine. The movie is set in the summer of 1957, with his company, on the verge of bankruptcy, entering his racing team into the ‘57 Mille Miglia. Our three main characters are the title character (Driver), his long-suffering wife (an awesome Penélope Cruz), and his mistress (Shailene Woodley from Dumb Money and The Fault in Our Stars). […]

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  6. […] Zegler and Ansel Elgort (Baby Driver, The Fault in Our Stars) are our Tony and Maria. They are fine, solid anchors, if not flashy. The supporting cast yanks the […]

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  7. […] The Fault in Our Stars. Seems presumptuous to suggest the stars belong to only you and someone else. The Fault in the Stars feels better to me. Or, as I jokingly called it: The Fart in Our Stalls. […]

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  8. […] comes from Colleen Hoover, who wrote It Ends With Us – and it’s directed by Josh Boone (The Fault in Our Stars). I know exactly what could have made it better. There are glimpses of an interesting premise, but […]

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