Mark Schroeder’s Movie Reviews

Grade: A

Birdman is the most unforgettable movie I’ve seen this year, and possibly the best. There will be naysayers who will ding it for being “pretentious” or “taking itself too seriously,” and I might agree with those criticisms if the film stooped to the usual cliches, but it exists in a realm of its own. I am at a loss to describe it, but it spoke to me on an emotional level, like music. Director Alejandro Gonzalez Inarritu (21 Grams) and his terrific cast including Michael Keaton, Edward Norton, Naomi Watts, Emma Stone, and a cast-against-type Zach Galifianakis all take us down a hypnotic rabbit hole through superpowers, washed up actors, egotistical actors, backstage “showmances,” and Broadway dressing rooms we can almost smell. We know this isn’t really the case, but most of the 2 hour running time is edited to look like one continuous shot. The one scene where I do remember seeing cuts was my least favorite. In the end, is everything resolved? No. Is everything explained? No. Did that matter to me? Not by a long shot. Birdman is a refreshing miracle; it steps outside of the box, and lives and breathes. Grade: A

17 responses to “Birdman or (The Unexpected Virtue of Ignorance)”

  1. […] It is minimal on plot, and Mendes has chosen to edit it to look like one continuous shot, like Birdman. We know it’s obviously not REALLY one shot, but they had to have done some unusually long […]

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  2. […] that scene in Birdman with the homeless guy delivering the famous “tomorrow and tomorrow and tomorrow” speech from […]

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  3. […] movies look inferior in comparison. I have previously said that about The Florida Project and Birdman. I can’t wait to find out what the next one will […]

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  4. […] exercise in style. I was endlessly fascinated and captivated by movies like The Florida Project and Birdman, which were so set apart and different, and bursting with life in their unique worlds, that they […]

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  5. […] (barely in it), Bill Camp (the crazy homeless guy who did the over-the-top MacBeth monologue in Birdman), and Kurt Fuller (Scary Movie, Wayne’s World). Camp and the child actors give the best […]

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  6. […] he receives an Oscar nod for his troubles. The Revenant is directed by Alejandro Gonzalez Innaritu (Birdman, 21 Grams), but seems to be showing off an Oliver Stone inspiration here, with quick cuts to images […]

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  7. […] the film was for me. To name a few, it happened with American Beauty, Silver Linings Playbook, Birdman, Whiplash, The Florida Project, Can You Ever Forgive Me?, Toy Story 4, Once Upon a Time in […]

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  8. […] that it makes conventional “normal” movies look generic and inferior in comparison. Birdman had that effect on me three years ago, and this year, I feel the same way about The Florida […]

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  9. […] played by Shannon) who is always sober and shows up to be the voice of reason. It’s like when Birdman talked to Michael Keaton throughout, but with less of a point. Not much is really done with that. […]

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  10. […] obviously also played by Cage, which makes us think of Adaptation – and it reminded me of how Birdman kept turning up to give Michael Keaton career advice. How they interact physically, and the […]

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  11. […] ordinary and inferior in comparison. I have previously felt this way with The Florida Project, and Birdman before that. One of my favorite songs from the early millennium gets a reference, in a rather […]

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  12. […] is a worthy bookend to Birdman, my other favorite Best Picture nominee. Those who thought Birdman was too “out there” […]

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  13. […] understated – it’s the opposite of his over-the-top hamming-up of the Macbeth monologue in Birdman. Colman Domingo gets a few moments to shine, but Matt Damon is absolutely wasted in a glorified […]

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  14. […] and inferior in comparison. I’ve previously said that about Tár, The Florida Project, and Birdman. I can add I Saw the TV Glow to that list. The closest thing I can compare it to is something from […]

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  15. […] teenage girl. She gets a visit from the parrot. Its speaking voice is slow, low, and gruff. Think Birdman with a British accent. I don’t know if Tuesday is immediately aware this is a “death bird” […]

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  16. […] opens with a woman (Amy Ryan from Beau Is Afraid, Bridge of Spies, and Birdman) screaming. She stopped at a luxury hotel bar for a drink after a work function, impulsively got a […]

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  17. […] is frenetic, heightened, and rat-a-tat-tat. It reminded me of three things. You could call it Birdman without the “it’s all one shot” device. There’s a play called The 1940’s Radio Hour where […]

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