Mark Schroeder’s Movie Reviews

The Post

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Grade: C+

A through-line I noticed and enjoyed as I sat through Steven Spielberg’s new movie The Post was smoking. This takes place in the 60s and 70s, when cigarettes and cigars were very prevalent in restaurants, inside homes, and at everybody’s desk at work. The cinematography is bathed in drab off-white, greyish colors, and tense conversations and confrontations occur where people act up a storm and smoke at each other. The air almost never looks clear.

The Post is a journalistic thriller about a series of events I was not around for, and it did not win over a new fan in me. It is talky, often boring, and is like the kind of film you’d have to watch in school. I understand and respect how timely, important, and relevant it is, but I was ultimately left thinking “ok, I get it, but so what?” This genre is not a lost cause for me. I liked Spotlight. I don’t know if it’s because I’m old enough to remember when the story behind that film happened, but it had that “something” that got me on board. Here, though, I appreciate the technical craft and skill involved. I appreciate the stellar assembly of actors who all portray their roles serviceably. I appreciate that they suited the action to the word and played the stakes. I can appreciate all of that, but I cannot get on board with The Post.

Grade: C+

7 responses to “The Post”

  1. […] reporter is played by Alison Brie (The Post, The Disaster Artist, Promising Young Woman). I would say nice to see her again, but in this? Juan […]

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  2. […] and versatile filmography in the last few years alone includes Little Women, Ford v Ferrari, The Post, Lady Bird, and The Big Short. I have loved, hated, and been mixed about the characters he has […]

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  3. […] I do miss the boat. I had unpopular opinions about The Post, Moonlight, Call Me By Your Name, and the first Guardians of the Galaxy, so what a relief it is to […]

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  4. […] Bird and Three Billboards Outside Ebbing, Missouri. Ditto for Tracy Letts, who is in Lady Bird and The Post – and I’ll go ahead and throw in Bradley Whitford for Get Out and The Post. And now we […]

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  5. […] piano as “panana.” Jesse Plemons (The Irishman, Judas and the Black Messiah, Vice, The Post, Bridge of Spies) has always made me think of Matt Damon and Philip Seymour Hoffman, and he is his […]

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  6. […] Plemons as Mitchell is an actor I’ve seen before, in The Irishman, The Post, and Breaking Bad. He has sort of a Matt Damon and Philip Seymour Hoffman kind of thing going on, […]

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  7. […] wanted Matt Damon to spit out his gum. Tracy Letts, a supporting actor who I admired ever since The Post and Lady Bird, does nice work here as Henry Ford – frosty-cold, curt, serious, and […]

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